rené gruau miss dior | rene gruau paintings rené gruau miss dior The “René Gruau” dress from Christian Dior’s spring 2011 couture collection, . Womens Louis Vuitton Bags. Louis Vuitton bags have long shaped the way we look at accessories, recognised the world over with just a single glance. Building upon its legacy of ingenious jet-setting essentials, the Maison crafts future classics that not only endure, but flourish as time goes by. The same can be said about its LV Monogram; more .
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The “René Gruau” dress from Christian Dior’s spring 2011 couture collection, . Dior Illustrated recreates works by René Gruau and Mats Gustafson, the first .Born Renato Zavagli Ricciardelli delle Caminate in Rimini, Italy, on 4 February 1909, Gruau was the son of an Italian count but instead of following in his father's footsteps and accepting the job of royal military commander, his passion and inclination for arts led him to a love and pursuance of fine arts. When René's mother, Maria Gruau, a French aristocrat, and his father separated when he was three, he moved to Paris with her. Gruau then took his mother's last name, which is the .
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The Somerset House exhibition is divided in six themes: “Flower Woman”, exploring Dior’s passion for the scent, colours and symmetry of flowers via Gruau’s sketches for Diorissimo (1956), Diorling (1963), Miss Dior (1980) . Socialites, art connoisseurs, and fashion designers gathered for the opening of .miss dior, circa 1990 oil on canvas, with leather roping, canvas backing and painted wood . While Dior revolutionized women's fashion with the "New Look", Gruau's illustrations brought those designs to life on paper, establishing the visual identity of the Dior brand. Their partnership cemented Gruau’s place in fashion .
In 1947 Mr. Gruau created the Miss Dior image, with its elegant white swan, .
The “René Gruau” dress from Christian Dior’s spring 2011 couture collection, which was inspired by the artist’s work. Dior Illustrated recreates works by René Gruau and Mats Gustafson, the first and the current House of Dior’s artists, respectively, in life size prints.Gruau, whose posters often echoed both classical Japanese drawings and Toulouse-Lautrec's sketches of fin de siècle Paris night life, was perhaps best known for creating the marketing images for Miss Dior perfume and for Rouge Baiser lipstick.
The Somerset House exhibition is divided in six themes: “Flower Woman”, exploring Dior’s passion for the scent, colours and symmetry of flowers via Gruau’s sketches for Diorissimo (1956), Diorling (1963), Miss Dior (1980) and Dior-Dior (1976 – a fragrance inspired by the Middle East and represented in Gruau’s vision by a woman . Socialites, art connoisseurs, and fashion designers gathered for the opening of Rene Gruau's Iconic Dior Exhibit. Above, Josephine de la Baume, photographed at the Somerset House in London.miss dior, circa 1990 oil on canvas, with leather roping, canvas backing and painted wood frame 28¾ x 19¾ in. (73 x 50 cm.), overall: 38½ x 29½ in. (98 x 75 cm.) While Dior revolutionized women's fashion with the "New Look", Gruau's illustrations brought those designs to life on paper, establishing the visual identity of the Dior brand. Their partnership cemented Gruau’s place in fashion history.
In 1947 Mr. Gruau created the Miss Dior image, with its elegant white swan, black bow and string of pearls. In 1948 he moved briefly to New York, where he worked for Harper's Bazaar.
His pictures, created using an exaggerated brushstroke for the French fashion house, were turned into marketing materials for items, including Miss Dior perfume.His career started in print editorials, and he made his mark in the industry by designing the iconic Miss Dior fashion campaign in 1947. A graphic artist for haute couture fashion houses, as well as advertisements, Gruau garnered further acclaim for his poster design of Federico Fellini’s cinema classic La Dolce Vita (1959). The “René Gruau” dress from Christian Dior’s spring 2011 couture collection, which was inspired by the artist’s work.
Dior Illustrated recreates works by René Gruau and Mats Gustafson, the first and the current House of Dior’s artists, respectively, in life size prints.
Gruau, whose posters often echoed both classical Japanese drawings and Toulouse-Lautrec's sketches of fin de siècle Paris night life, was perhaps best known for creating the marketing images for Miss Dior perfume and for Rouge Baiser lipstick. The Somerset House exhibition is divided in six themes: “Flower Woman”, exploring Dior’s passion for the scent, colours and symmetry of flowers via Gruau’s sketches for Diorissimo (1956), Diorling (1963), Miss Dior (1980) and Dior-Dior (1976 – a fragrance inspired by the Middle East and represented in Gruau’s vision by a woman .
Socialites, art connoisseurs, and fashion designers gathered for the opening of Rene Gruau's Iconic Dior Exhibit. Above, Josephine de la Baume, photographed at the Somerset House in London.miss dior, circa 1990 oil on canvas, with leather roping, canvas backing and painted wood frame 28¾ x 19¾ in. (73 x 50 cm.), overall: 38½ x 29½ in. (98 x 75 cm.) While Dior revolutionized women's fashion with the "New Look", Gruau's illustrations brought those designs to life on paper, establishing the visual identity of the Dior brand. Their partnership cemented Gruau’s place in fashion history. In 1947 Mr. Gruau created the Miss Dior image, with its elegant white swan, black bow and string of pearls. In 1948 he moved briefly to New York, where he worked for Harper's Bazaar.
His pictures, created using an exaggerated brushstroke for the French fashion house, were turned into marketing materials for items, including Miss Dior perfume.
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